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Antenna was a bi-monthly screening of unseen, underground music videos that took place at London's National Film Theatre from September 2002 until November 2006. Over the four years, there were 20 core Antenna shows, which featured a panel of video industry insiders including Spike Jonze, Garth Jennings, Shynola, Edgar Wright, Lynne Ramsay and Johan Renck. Each show included highlights from the panel's work, which was discussed during a Q&A with the audience, and a selection of recent videos from all over the world. To top all that off, each show was marked with a poster designed exclusively for us by a director who had a video in the show, using that video as inspiration. We can't wind back the clock but if you missed the shows, or if you were there and want to remember the name of that crazy video that stuck in your head for days afterwards was, you can see info on who was on all the panels, plus the posters, and the programme notes from each show below. Look 'em up, that's what YouTube is for, isn't it? In its third year, Antenna undertook a project with the British Council which saw Antenna screenings celebrating the work of British directors and bands taking place all over the world. The project went on for one year, during which time Antenna UK profiled four of the UK music video industry's leading talents, Shynola, Dougal Wilson, Daniel Levi and Woof Wan-Bau. Screenings took place across the planet, from Berlin to China and Australia to Kazakhstan. We never felt so international! In its last year Antenna also threw a special one-off show in London celebrating the best work in videos featuring artist performance, which took the grand total of Antenna reels to 25. We also appeared at The Big Chill and Sheffield's Auto Festival, just for kicks. Four years of the most amazing, exciting, and sometimes baffling underground music videos, four years of brilliant people bravely taking the stage to join in our panels, four years of humblingly beautiful posters being designed for us by heroic directors whose work we adore, and what's the brightest memory at the end of those four years? You lot, the audience, laughing and clapping your socks off. We got this whole show on the road because we knew of so many videos that were going unnoticed and unloved, and we knew that there was an audience who would go crazy for them, if only they ever got to see them. And that's where you, quite literally, came in. We have loved the videos we've shown, and we've adored our panels for taking the stage for us, but most of all we've loved the fact that so many of you have loved it all too. So the biggest thanks goes to everyone who came along and joined in. Antenna would never have been possible without our friends at the NFT giving us a roof over our heads and their biggest screen to do with whatever we like (which was pretty amazing of them, when you think about it). And we also have to thank all the edit houses who made our reels for us, particularly Clear/VTR who seem to be staffed by superheroes. Huge thanks also to the lovely people at Design UK who built us a website, and who always offered to build it into a mighty site too, if only we'd got round to it. We also owe thanks to Bates Wells & Braithwaite for their guidance and to Xfm for making so much noise about us as well as all the press that have given us their support. Both Antenna's founders, Jordan McGarry and Vez, are still working in the industry and will always be keen to stay in touch with Antenna fans or anyone producing great music videos. So drop 'em a line and say hi at Jordan.mcgarry@gmail.com and vez@veriarti.com BACKGROUND With ever-more mainstream music channels on digital tv, and endless new pop tarts only too willing to shake their thing at any fish-eye lens who'll watch, it's time somebody reminded the public that music videos can be more than just fuel for the egos of stars with already worryingly large heads. In fact, some of the most influential and creative exploration of film comes from the music video sector and Antenna exists to shine a light on those on the front line of the scene. "Antenna is like a French Resistance meeting. It feels as though everyone is sharing a secret. It reminded me of working in pop promos in the Eighties when it seemed strangely subversive." Tim Pope, director, The Crow: City of Angels and videos for artists including The Cure, Fatboy Slim and Kaiser Chiefs
"Antenna is for me one of the most exciting things to go to. it is like going to an exhibition but not really having a clue what you are going to be seeing. It is important for musicians and directors alike for it gives us ideas for people to work with or just plainly to be very inspired. It is also a chance to see brilliant works of art that TV will never show. And for me as a lover of music visuals I have a chance to throw my underpants at some of my favourite music visual directors when they are on the panel...which is good."
"Antenna gets big love from the Coldcut crew. Each event is a fascinating slice of an emerging scene: the realisation of creative life beyond the straitjacket of the straight pop video is taking hold. And here's the evidence, both in the work and in the enthusiasm of the audiences, that shared buzz that there is something new and special kicking up."
"After two years of tireless championing, this music video showcase has become the best of its kind, not just in the UK, but the whole of Europe, which could explain why industry insiders fly in from abroad especially to catch it."
"When Antenna annexes the NFT, it's music video - but not as we know it. Antenna has what the music and TV industries lost years ago: the buzz that comes from membership of a whole secret scene."
"As the 1990s rave paradigm becomes a fading memory, the notion of what constitutes a club is shifting…few nights have played with the concept of a club as much as Antenna."
If you'd like to tell us what you think of Antenna, drop us a line at antennapromo.co.uk.
Antenna would like to thank: media partner XFM, and support in kind from NFT, Design UK, Baites Wells & Braithwaite and Condor Post Production
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